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Re: Color noise in highlights in 16 bit comp (DSLR footage)

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I'd transcode any and all DSLR footage before I ever touched it in ANY application: video editor, AE, what have you.  H.264 just doesn't stand up well in the production process.

 

 

Okay, quick 'n dirty, need-this-done-in-five-minutes projects don't count.  In those cases, image quality takes a back seat to speed.


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